Perhaps the most obvious method for artistic development is practicing. There is a lot that could be said about different methods for practicing, how to get the most out of the hours you spend in the practice room, how the practice sessions should be laid out etc. but this is not the main topic of this essay so I will just conclude that I have been practicing a lot, both with very focused attention to technical development, and with the aim to learn a certain stylistic features and tunes.
Moreover, I have been playing a lot, both in the sense of playing my instrument (swe: spela fiol) and in the sense of playing games (swe: leka). Sometimes I have felt bad about it, that it was just a waste of time in the practice room to let the bow, fiddle and fingers play around without any certain goal, but in the end I think it has been a very good thing to do. It has lead me to find new sounds and to get a more relaxed physical relationship with my instrument. It has helped me move away from the all-too-comfortable melodic/harmonic areas I used to be playing around with(in) and served as an opening to (for me) new fields of melodic and harmonic structures and movements.
It also lead me to finding completely new sounds on the fiddle and trying to make use of the ‘ugly’ as a contrast in my music. An example of this is my solo from the term concert in Helsinki:
It is worth to notice that this idea and method of play and playing emerged more or less simultaneously with my change of perspective, towards folk music as Art.